SARA JACOBS MAJEK
Multidisciplinary Artist
SARA JACOBS MAJEK
Multidisciplinary Artist
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Multidisciplinary Artist
Multidisciplinary Artist
Sara Jacobs Majek is a multi-disciplinary artist creating bespoke murals and artworks that tell stories and shape how spaces are felt. Her work is rooted in memory, culture and identity — translated into layered compositions designed to be felt as much as they are seen. Working across mural, canvas and interior installation, each piece is developed in response to the space it inhabits and the people who move through it drawing inspiration from Cultural Herritage Fashion and Identity

Interior and exterior murals, large-scale artworks and site-specific pieces for homes and commercial spaces.
Sara works with homeowners, businesses and designers to bring identity, atmosphere and presence into a space — whether quiet and textural, or bold and immediate.
What story do you want to tell through your space?

OIL ON CANVAS 1000 X 700 The heavily intricate details of Nigerian Ankara Fabric on a kimono, the floral delphinium and Fuchscia background from the V&A textile archive shows a cultivation of textile prints on fabric fusing cultures to transcend universal identity as one unified exploration .

OIL ON CANVAS 1500 X 1000.
Inspired by nigerian fabric and Japanese woodblock Printing.
Aso-Oke means we greet clothes before its wearer. Woodblock printing in japan was adopted during the Edo period.
OIL ON CANVAS 2000 X 1200.
Map of the world is a study into the indigenous symbols of different tribes throughout the world allowing us to see the value of visual symbolic communication and there deeper meaning and our universal connectedness. While using the traditional Nigerian Aso-Oke print throughout shows the vastness of how Nigerians have spread .

''Voyage Benin to Japan'' 2000 x 1200 oil on Canvas 24k Gold leaf. The untold story of the Benin people of Nigeria from Edo state who Occupied a territory 5 times the size of the great wall of china in Nigeria Voyaged to Japan 300 BC. Both cultures worship the Gods of the sky and the word Osa is used to describe God or king or leader in both cultures. The hidden mystery continues with over 120 Nigerian names being the same as Japanese ones, both warrior clans and fine artisans. Historicaly Japans capital city was also named Edo.

297 X 420 GOLD GUILT
ON BLUE CARTRIDGE PAPER
Inspired by my Grandfather's Lagos Nigerian Garden where Peacocks would roam. The African mask and the feather symbolizes the pride of Nigerian culture.

Asoke, Nisbidi, Adire ‘’Fabric as a language’’
This painting has been inspired by fabric and symbolic Language from Nigeria and Japan. The Gold moon is of Japanese influence and represents a universal language through pattern beauty and enlightenment. The gold represents Purity and enlightenment
The Stripe is called Aso oke, pronounced as
Asoke, Nisbidi, Adire ‘’Fabric as a language’’
This painting has been inspired by fabric and symbolic Language from Nigeria and Japan. The Gold moon is of Japanese influence and represents a universal language through pattern beauty and enlightenment. The gold represents Purity and enlightenment
The Stripe is called Aso oke, pronounced as “ah-SHAW-okay,” is a hand-woven cloth created by the Yoruba people of West Africa. The fabric speaks for itself letting people know you are of Yoruba origin. The pattern with an indigo background is called Adire which is an indigo-dyed cotton cloth decorated using an ancient natural resist-dying technique to create striking patterns in blue and white. They were traditionally made and worn by women throughout the Yoruba region of south-western Nigeria, West Africa. The patterns all have a meaning letting the fabric speak for itself. The history of the indigo blue was such a laborious process to extract from the ground it was usually worn by people of high rank or status. Huge dying vats were placed in the ground and oxidised to the blue colour using earth and the Indigo Olifera plant. The native process travelled to Japan and different parts of the world through trade. Where the indigenous practice is still processed today. Through colonization it Eventually became a cash crop In Europe and influenced what we use as denim today.
''Cheiftancy Ceremony Consecrated'’
This painting has been inspired by fabric symbolic Language and the ceiftancy ceremonies from Nigeria.
In Yoruba culture, chieftaincy ceremonies are significant events where individuals are formally recognized with traditional titles and elevated to positions of authority within the community. These c
''Cheiftancy Ceremony Consecrated'’
This painting has been inspired by fabric symbolic Language and the ceiftancy ceremonies from Nigeria.
In Yoruba culture, chieftaincy ceremonies are significant events where individuals are formally recognized with traditional titles and elevated to positions of authority within the community. These ceremonies, often involving elaborate rituals and celebrations, play a crucial role in maintaining social order and cultural identity. The staff of office is used in the ceremony to initiate the title in this case i have consectrated the ceremony with a cross on the staff of office .

PRINT 297X420
Japanese African inspired feathers produced as wallpaperr for a japanese Tea shop.

SCREEN PRINT 297 X 420
Part of the Japanese and indigio Blue series

OIL ON CANVAS 1000 X 600
Sara Jacobs believes in the power of art to transform lives. She is committed to supporting artists and art education programmes in our local and wider community. This piece is dedicated to incorporating African print onto art as a means of educating the viewer on the meaning of symbolic ideography as a language.

‘’Japan Nigeria’’ oil on Canvas with 24karat Gold 1200 x 900
Japan Nigeria is part of a series of paintings that focus on indigenous Fabric
Techniques with symbols as a language and means of creating wealth. Japan Africa is a story about the two great Cultures meeting together and exchanging ideas through the trading of raw materials and the Establishment of Japan strengthening its ties with Nigeria as an aspirational Partner for development and growth.
The painting is symbolic of how the Indigenous Practices of Adire fabric dyeing from Nigeria and Shibori fabric from Japan have both been practiced since the 1800s and have the same technique in both cultures. The lavish gold bridge is a symbol of the bridging of both Cultures through trade and economic ties to create wealth.
The two women meeting together are symbolic of the bridging of cultures as the fabric dyeing technique was prepared and always died by women.
The bridge is made of carved wood, carved and engraved leather and rope work a technique practiced in Nigeria.
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Untitled Art Fair at Chelsea Town Hall July 2025, Booth # 109.
Pineapple Black Arts is a contemporary arts venue offering space for artists of all disciplines. Some of Sara's work was exhibited there in 2023.